He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. He had been assured by his teacher Friedrich Wieck that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing. Schumann's published compositions were written exclusively for the piano until 1840 he later composed works for piano and orchestra many Lieder (songs for voice and piano) four symphonies an opera and other orchestral, choral, and chamber works. Works such as Kinderszenen, Album für die Jugend, Blumenstück, the Sonatas and Albumblätter are among his most famous. His writings about music appeared mostly in the Neue Zeitschrift für Musik (New Journal for Music), a Leipzig-based publication which he jointly founded. In 1840, Schumann married Friedrich Wieck's daughter Clara, against the wishes of her father, following a long and acrimonious legal battle, which found in favor of Clara and Robert. Clara also composed music and had a considerable concert career as a pianist, the earnings from which formed a substantial part of her father's fortune. Schumann suffered from a lifelong mental disorder, first manifesting itself in 1833 as a severe melancholic depressive episode, which recurred several times alternating with phases of ‘exaltation’ and increasingly also delusional ideas of being poisoned or threatened with metallic items. After a suicide attempt in 1854, Schumann was admitted to amental asylum, at his own request, in Endenich near Bonn. Diagnosed with "psychotic melancholia", Schumann died two years later in 1856 without having recovered from his mental illness. To read the rest of the article, please click here.Īugust Heinrich Hoffmann von Fallersleben was a German poet. He is best known for writing "Das Lied der Deutschen", its third stanza now being the national anthem of Germany, and a number of popular children's songs, considered part of the Young Germany movement. Hoffmann was born in Fallersleben in Lower Saxony, then in the duchy of Brunswick-Lüneburg. The son of a merchant and mayor of his native city, he was educated at the classical schools of Helmstedt and Braunschweig, and afterwards at the universities of Göttingen and Bonn. His original intention was to study theology, but he soon devoted himself entirely to literature. In 1823 he was appointed custodian of the university library at Breslau, a post which he held till 1838. He was also made extraordinary professor of the German language and literature at that university in 1830, and ordinary professor in 1835. Hoffmann was deprived of his chair in 1842 in consequence of his Unpolitische Lieder (1840–1841, "Unpolitical Songs"), which gave much offence to the authorities in Prussia. To view the full article, please click here.Soldatenlied A soldier's song is a song that is usually sung in the military without instrument accompaniment. On the other hand, marches are played by a music band, for instance at solemn occasions. Some German soldiers from the nineteenth century, like old sailors, are in their melody leaning against church members, such as O Germany highly honored. Usually, the songs are meant to give you the courage and courage to strengthen your sense of comradeship - whether on the march, in combat or in the camp. In addition to timeless themes such as love, homesickness and natural experience, some songs also have propagandistic significance, especially in the armies of totalitarian states such as the military power under the National Socialism or the NDR of the GDR, where the collective singing also the emotional attachment of the soldiers to the ruler and / Or the state ideology. Examples of German soldiers are A Heller and a Batzen, It is so nice to be a soldier, Morgenrot and I have 'a comrade. Ein Soldatenlied ist ein Lied, das im Militär zumeist ohne Instrumentenbegleitung gesungen wird. Im Gegensatz dazu werden Märsche, etwa bei feierlichen Anlässen, von einer Musikkapelle gespielt. Einige deutsche Soldatenlieder aus dem 19. Jahrhundert sind, wie auch alte Seemannslieder, in ihrer Melodie an Kirchenlieder angelehnt, so zum Beispiel O Deutschland hoch in Ehren.
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